CAMILLE GOUVINE

On the upper screen, a motionless face. On the lower screen, a body undresses. Gently, a sculpture of fabric is drawn under the vacuum of the first screen. The face remains motionless. Freed from the weight of his clothes, the body leaves the scene.

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Over the last three years, the issue of habitat has gradually become part of my work. The relationship I maintain with my body has always been more timid, in the background. For a long time, I did not know what to say. And yet ... if there is one thing where we live foremost, it is our body.